Friday 20 April 2012

London Independent Film Festival: Small Film, Huge Joy


Chris and I attended the London Independent Film Festival, Saturday 14th April to see HOME MOVIES projected on the big, silver screen.  The foyer was teeming with well-wishers, supporters, punters and film-makers. Our director, DaveAnderson showed up with product in his hair because he was going to answer questions at the end. He looked extremely handsome but kissing the top of his head was like shoving one’s face into the quills of an excited porcupine.

I know this because I kissed the top of his head.

I was almost as excited as the virtual porcupine.

We were a party of ten and as we sat, happy sunshine streaming through the plate glass windows of the trendy-yet-unpretentious ShortWave cinema cafĂ©, I thought to myself ‘I’m here to see a film we’ve made. I have a company. We made a film.’

My friend Lisa turned and beamed at me.

‘Hello. Film-maker’ she said.

I almost burst with joy.

And I thought of the accomplishments of some of my dear and admirable friends.  I rub shoulders with Oscar-winners, Hollywood feature-producers, actors who star in American telly series and I am two degrees of separation from Joss Whedon. (I worked with an actor who worked with him.) (I KNOW!!!) (When the credits rolled at the end of the Buffy episode and I saw the actor's name I screamed. I screamed. ‘CHRIS I WORKED WITH THAT GUY!!’ JOSS AND I ARE LIKE THIS!) These are all artists of huge achievement, fame and renown.  And here I was waiting to see seven minutes of a movie that we’d filmed in a day and produced for under £5,000, giddy and high as if there were a red carpet, evening gowns and Ferne Cotton on the mic.

And of course, just as yours has done, my mind went to the 1980 winter Olympics and the men’s ice-hockey tournament when the underdog Americans, with a team built of college players and amateurs, beat the potent, dynamic and skilful Soviets who had won nearly every world championship and Olympic tournament since 1954.

(There’s a fabulously stirring moving, Miracle on Ice, that you can watch on-line for free. Do it now. No thanks necessary.)

And aside from the glory of watching sheer will power and self-belief overcoming unthinkable obstacles, I am moved and entertained by the looks on the faces of the Soviet players as the Americans celebrated. Grown men were weeping in joy, flinging themselves into each other’s arms, gappy smiles splitting their faces. The Soviets, who were used to winning, were expected to win – one could even say, at that point in their troubled history, HAD to win – stared at the delirium breaking out at the other end of the ice with a bemused fascination. They do not look like athletes mourning the loss of an important match. 




They look like players astonished at the joy their opponents feel at winning.

It is a marvellous lesson in relativity. There was no gap between what the Soviets wanted and what they achieved. They wanted to win, they did. The Americans wanted to – and never had.

Until Friday, 22nd February 1980 when, by a single goal scored with only ten minutes left in the game, they beat the Russians 4-3.  In that moment they caught up with what had seemed impossible, a cosmos away. And the achievement of the desire that you have set your sights on for years, that you have dreamed of, hoped for, imagined and planned, is where all the combustible, bone-quaking rapture in the world exists.

When I lived in Toronto, just two years after the Americans won their Gold Medal, I went to the movies a lot. I was working as an actor which meant not working as an actor very much at all, but my ambition was huge.  As credits rolled by on screens across the city I remember the audacious thrill with which I would think to myself ‘Someday my name will be up there. I’m going to make movies. I’ll succeed.’

You can do the maths and figure out how many years it’s been since I declared this to myself. And I don’t know what my Oscar-winning, telly-series-starring, Hollywood-film-producing friends feel as their names come up on the screens around the world, but if it is only half the gleeful delight I felt in one cinema on a Saturday afternoon in southwest London, they are gloriously fulfilled, gratified and celebratory. Because people laughed in all the right places and clapped at the end.

And that's gold.






Friday 6 April 2012

We Got Into the London Independent Film Festival And We Know Why


MYPC’s first short film, HOME MOVIES, has been accepted into the London Independent Film Festival and is screening at the Shortwave Cinema, SE1 on Saturday, 14th April at 4:30 pm.

And I think it’s because we have an office.

We moved into this office last week. It has a view that overlooks tree tops and listed buildings. You can see the London Eye.  Chris put up a poster for SIRENS, our first show, and has a shelf for filing.

There is a sofa where I can sit and make stuff up. Then show Chris (nine inches away) after which I’ll make up even better stuff.

It is very exciting.

And it is in Christine’s flat.

We have all the amenities to hand – water, kettle, Christine’s husband to make the tea.  We have a chair for our delicious office manager, Nathalie, who can wander down the hall to make her telephone calls to our local council in pursuit of funding if she wants.  But she doesn’t have to. She can stay in the office and have us sitting right there. On her lap. Listening.

It doesn’t get better than that.

We think the LIFF knows we have an office. They know we could offer them coffee. They know we have Nathalie to take their calls – in English or French, thank you very much (we’re all bilingual at MYPC)(I want Chris to translate my plays into Croatian but she’s dragging her heels). They recognise how serious we are about our work. They recognise how serious we are as people. And that is why they must never, ever come to our office just on the off chance they heard an exchange like the following:

Very warm spring afternoon. NATHALIE, dark haired, petite, French, sits at the computer finding prices for the books Chris has to sell so we can fit files on the shelves of what used to be her son’s bedroom.

CHRIS, on the floor, is surrounded by receipts, folders and memos.

SY is on the sofa. Making stuff up.

Nat:     Forty-five pounds.
CM:     What??
Nat:     Forty-five pounds for this book. (she holds it up)
CM:     No! No way!! For that piece of crap??

Chris leaps up and grabs the book – Damien Hirst Live at the Tate - a new respect on her face. A glint appears in her eye.

CM:     Do you think they’d buy this?
Nat:     No, Christine.
CM:     Come on, hardly used.
Nat:     Chris, put Stephanie down.
CM:     A little worn at the edges –
Nat:     But you can get £30 for this.
CM:     (dropping SY) No!

CM examines another hefty tome about modern art, hoping her husband Richard doesn’t come in and see her selling off his library, as a buzzing noise sounds in the room, growing slowly louder. CM looks up.

CM:     What’s that?
SY:      (face in her laptop, trying to write) I don’t know.
CM:     What is it, what is it? It sounds like a dive-bomber.
Nat:     It is a bee.
CM:     WHAT????

CM drops the book. A phone rings.

Nat:     MYPC, Nathalie speaking. Yes. Yes, thank you for calling back. Just – just a moment. (covering the mouth piece) I will go into the other room to take the call.
CM:     A bee? Do you know how big a bee would have to be to make that noise? Where the hell is it? I can’t see it and it sounds like the Luftwaffe.
SY:      (not looking up) Why would you leave, Nathalie? Don’t you want the local council to know our managing director is lily-livered, spineless weenie-girl and is scaling the wallpaper because there’s a molecule shaped like an insect in the room?
CM:     IT’S NOT A MOLECULE. IT COULD EAT MY CHILDREN.
Nat:     (on phone) Thank you for waiting. That sound? It is our managing director who is – oh. That sound? (exiting down the hall) We think it is a bee.
CM:     Ha! They can hear the molecule in Camden!
SY:      (sighing, getting up) All right, all right.

SY stands and sees the bee, roughly the size of a lemur, hovering near the blind.

SY:      Hm.
CM:     (seeing it) Aggh!

CM charges, backwards, out of the room, clutching the Damien Hirst as, newly, one of her most prized possessions.

CM:     What is it doing here? We are seven floors up!
SY:      (positioning herself behind the bee) There is life seven floors up. We are not above the tree line.
CM:     (pointing) Above THAT tree we are!
SY:      (slowly retrieving plastic tub) You’re from Australia. I thought you ate these sorts of things for breakfast.
CM:     We have mosquito netting. And vaccines.  And guns.
SY:      We’re not going to shoot the bee.
CM:     See? You know what to do. As a Canadian. You’re brave. You’re informed. You’re – aggh!

The bee moves slowly away from the blind and into the room. SY follows it with the tub, finds it and coaxes it out the open window.

SY:      It’s gone. You’re safe. You can – Chris?

SY glances around the empty office.

Voices off:

Nat:     (on phone) And we are eligible for – Chris? I’m sorry – just a minute  - Chris? Do you need a cold towel? A hot drink? A warm hug?


As we do not plan to answer the door if the representative from the London Independent Film Festival comes to call, I think we are safe.

We will shove his tea through the mail slot.

**

As always, Chris and I are overjoyed with the response and enthusiasm of our friends, followers and supporters, and are proud that a film you helped us make is being shown at such a prestigious festival. 

If you live in London, or close enough, please, please join us. HOME MOVIES is in the slot starting 4:30 on Saturday 14th April at the Shortwave Cinema, London Bridge. Tickets are free; first come, first served. 


(This is the coolio venue:  http://www.shortwavefilms.co.uk/  )